Program Notes: 

     The texts selected for this cycle attracted me for different reasons, but all have a certain charm about them.  In the first selection, I attempt to convey Dickinson’s argument that “a Word” just begins to live the moment it is said.  Through various permutations of the words found in the poem and somewhat adventurous meter changes, this song is anything but dead. 

​

     The second selection shows Dickinson’s introverted and shy tendencies.  The sparse, pointillistic, and dissonant textures heard especially at the beginning represent Dickinson’s tendencies to use few words (as seen in her poetry) and keep to herself.

​

     The final movement of the cycle is the most lyrical and “vocal” of the three.  This simple metaphor comparing hope to a bird is an effective ending to an otherwise dissonant and exploratory cycle. 

Despite the disparate nature of the three songs, the cycle shows unity through use of similar motives developed in all three movements, and the similar shapes of chords found in the piano.  This piece was a collaboration with Dakota Andersen, and is dedicated to him- a friend who exudes hope throughout the “storm” of life.